John-Alex Mason Town/Country (Naked Jaybird)
This album begs the question: What if God gave us Robert Johnson, and nobody cared? We already know the answer to the reciprocal solypsism: What if we made a beautiful city, and our leaders let it wash away.
Because, as I keep saying, a Pete Seeger CD has the same carbon footprint as a Flo Rida record. Your music can be used as a torture device, regardless of whether you are Bruce Springsteen or Metallica. But the Blues fights back, don't it? There has always been an undercurrent in American Popular music that sustains the spirit and makes all the negative passions simmer instead of explode. No matter what horror gnashes at the soul along the dark road, our heritage always causes us to whistle at it.
One day, when all the oil runs out, when electricity is rationed and only soldiers can afford media devices, there will still be voices like John-Alex Mason. He is one of those artists who will, like Picasso once said, paint in the dust with his tongue. And he is as desperately welcome today as Robert Johnson and his compatriots were back when it all started.
Mason was a finalist in the Solo/Duo category of the 2008 International Blues Challenge. He may not have won, but I believe he earned huge recognition for potentially infusing new energy into American Roots music. His eerie voice and haunting guitar resurrect that spooky, swampy sound of drunken juke joints. He reinterprets (and thus repossesses) traditional delta blues songs, while his original songs sound like they came from the exact same place. And where do those songs lead us? Ahh... there is the real question, isn't it? That is the question that all masterpieces should make us ask.
One of the things that bugs me most about the Blues are purist fans. You've seen them, I'm sure—stinking up an afterparty by crowing the loudest about who is and who isn't a true-blue artist. If only other Pop genres had such a picky fanbase: imagine trying to keep the current spate of mysogynistic, materialistic, untalented pricks from sullying the good name of Hip-Hop! (Well, I suppose its just as well, considering how the hand-wringing nannie-goats in the press are just empowering the